Performances in N.Y.C. Advertisement Supported by Historical response to the cello endpin, which anchors the instrument to the floor, has alternated between acceptance and pushback. By Max Keller ...
About 25 years ago, acclaimed cellist Yo-Yo Ma was playing in Salt Lake City when a high school student asked him if his cello, which dates back to the 1700s, had a name. It did not, but Ma made the ...
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