Like Alexandre O. Philippe, Rodney Ascher is a director who pushes the interpretive limits of what a documentary can do, something he made abundantly clear with his 2012 film Room 237. Named after the ...
Rich, complex films that can be crassly oversimplified because of a sex scene between a human and a machine have had a great run at Cannes in recent years. Now, Ratchapoom Boonbunchachoke’s ...
ScreenRant's Rachel Foertsch is on hand at the Ghosts panel at San Diego Comic-Con and reveals that a story in the upcoming season could see a new relationship between one of the human characters and ...
You may think of AI art as a form of machine-generated slop. But lately it’s been getting kind of weird. On April 21, New York’s senior art critic, Jerry Saltz, and the New York Times writer David ...
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