and covers of iconic Bob Dylan songs like Blowin' in the Wind and more. While Mary Travers is primarily known for her work with the folk trio, she also released five solo albums when Peter ...
Peter Yarrow, the pioneering folk musician who found massive success as part of the musical trio Peter, Paul, and Mary, has died at the age of 86, according to the Associated Press.
Peter Yarrow, one third of the chart-topping 1960s folk trio Peter, Paul and Mary and co-writer of 'Puff,the Magic Dragon' has died.
Peter, Paul, and Mary broke up in 1970, after nine albums. Like his bandmates, Yarrow intended to pursue a solo career, but he had pleaded guilty to sexually molesting a 14-year-old fan the year prior.
Peter Yarrow, the singer-songwriter, activist and founding member of the folk trio Peter, Paul and Mary, has died at 86 after battling bladder cancer.
American singer and songwriter Peter Yarrow, who found fame with the 1960s folk music trio Peter, Paul and Mary, died on Tuesday at the age of 86, his publicist said. Yarrow died at his New York home surrounded by family following a four-year battle with bladder cancer,
Yarrow wrote the music for the group’s best-known composition, “Puff, the Magic Dragon,” with lyrics by his Cornell classmate Leonard Lipton. The song became a standard both at summer camps and in
Peter Yarrow, who has died aged 86, was the Peter in Peter, Paul and Mary, the American singing trio which took folk music into the commercial mainstream in the 1960s.
The singer-songwriter and social activist best known as one-third of the folk-music group Peter, Paul and Mary, has died at age 86.
Alongside Paul Stookey and Mary Travers, Yarrow formed and contributed ... Normal" written by Yarrow and Stookey, as well as Bob Dylan classics such as "The Times They Are a-Changin'" and "Blowin ...
The singer and songwriter who helped popularize folk music in the 1960s died of bladder cancer at his home in New York.
In celebration of what would have been Martin Luther King Jr.'s 96th birthday, pianist Lara Downes examines how musicians have followed in his footsteps, and faced the cost of taking a stand.