The director and star of A24's atmospheric horror film talk fear, faith, and turning the filmmaker's family home into a haunted house.

Fans of RogerEbert.com know that we’re about to enter a fun phase of the year as the SXSW Film Festival gets underway, starting tonight with the world premiere of Boots Riley’s “I Love Boosters,” the ...

It's goofy, knowingly strange, and wears its heart on its sentimental sleeve, and that's enough to put some wind in its sails ...

What feels like the longest awards season ever will come to an end this Sunday, March 15 th, when the 98 th Academy Awards ...

I’d be willing to make the time investment, but the payoffs should start coming early and often.

With these flaws comes a depth unlike the characters in any other genre, yet “Scarpetta” plays it too safe, sheltering its protagonist and stifling any sense of intrigue she could offer. With the ...

It’s 1977, a “time of great mischief” in Brazil, and in the opening minutes of Kleber Mendonça Filho‘s “The Secret Agent,” ...

However, unlike the Medusa-reclaimed inspired by Ovid and expanded by Gray, Linda loses us by murdering innocents. Thus, she ...

But there are still four Oscar categories that have never been won by a Black person: Best Director, Best Cinematography, Best Film Editing, and Best Visual Effects. (Note: This ignores the new Best ...

This month, we’re looking at the unselfconscious work she did in the Happy Madison production “The House Bunny” and Jody Hill ...

Once the world’s biggest moviemaker, Metro-Goldwyn-Mayer was weakened by corporate warfare and on the brink of collapse.

In the earliest days of movie history, women played key roles on screen and behind the scenes. Dwight Cleveland, author of ...