His Oscar-winning 1965 film “The War Game” depicted a post-nuclear-attack England, one of his many fictionalized docudramas ...

When Kathryn Bigelow’s new Netflix film A House of Dynamite opens, a nuclear missile has already been launched toward the United States. No one knows by whom. Inside the Situation Room, screens blink, ...

In A House of Dynamite, the apocalypse is neither averted nor resolved—it’s suspended. The film refuses the familiar narrative arc of destruction and rebirth. There is no “after.” The audience is ...

In anticipation of Black Harvest, here are five films from the festival that should be on your radar. Black Girl For the last ...

The quandaries posed by the nuclear film pantheon are the same ones experts in the nuclear threat reduction community face ...

It’s remarkable how far Stone is willing to push audiences with her characters, showcasing sharper, more unpleasant sides of ...

What distinguishes A House of Dynamite from previous films on nuclear war is that it depicts the onset of catastrophe in “real time,” as experienced by those most directly involved.

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“The Annihilation of Fish” would be pretty much unimaginable, if it weren’t here, now, a generation after its disappearance. It barely got into production in 1999, even with James Earl Jones heading ...

Portman doesn't outright name the creature, considering she didn't want to give any spoilers of the newly released film at the time. Those that have seen the film, however, know exactly which creature ...