Elise Y. Chagas: Rosângela, you work with found photographs, archives, albums, institutional collections, and a breadth of other formats and imaging technologies. How would you describe your approach ...

Robert Frank’s films include The Sin of Jesus, his 1961 adaptation of an Isaac Babel short story; OK End Here (1963), an intimate chamber piece featuring an original score by the great free jazz ...

Join Lola Flash and five friends as they reminisce about art and community when the AIDS epidemic tore through NYC in the 1980s and ’90s.

June 18, 1920 Fumaria officinalis (Common Fumitory) The Fumaria has a sensitive nature spirit, it tries to incorporate both ascending and descending energies. Its flower is wispy, seemingly without ...

AH: And it wasn’t just the Rio Olympics that found it useful. EH: NASA has a data visualization team, and they’ve created their own version in the same format, which has also been very popular and ...

“It’s like a fellow I once knew in El Paso. One day, he just took all his clothes off and jumped in a mess of cactus. I asked him that same question, ‘Why?’ He said, ‘It seemed to be a good idea at ...

Elena Subach is a visual artist and photographer based in Lviv, Ukraine. She is currently researching the legacy of the photographer and filmmaker Yulian Dorosh and Lviv photography from the first ...

This design became a norm for museum collections. The Musée du Louvre, born in 1793 out of the French Revolution, adopted this installation strategy from the beginning. Practically, it allowed ...

The artist talks about Claude Monet, the muscle memory of painting, and why he’s packing a tube of orange paint for his summer in Maine.

On the occasion of MoMA’s recent acquisition of more than 200 works by Ken Jacobs, and the presentation of three of his films in Gallery 411: Ken Jacobs: Deep Cuts, we sat down with one of cinema’s ...

I do not remember when I first met Richard Serra. But I do remember the first time I was bowled over by his work. It was in the fall of 1996 when I saw the monumental 58x64x70—the title describes the ...

“Everything we see hides another thing, we always want to see what is hidden by what we see. There is an interest in that which is hidden and which the visible does not show us. This interest can take ...